Tennessee Williams: Mad Pilgrimage of the Flesh is the long-awaited, definitive life and a masterpiece of the biographer's art. Including Williams's poems, stories, journals and private correspondence in his discussion of the work – posthumously Williams has been regarded as one of the best letter writers of his day – Lahr delivers an astoundingly sensitive and lively reassessment of one of America's greatest dramatists. Lahr shows how Williams's late-blooming homosexual rebellion, his struggle against madness, his grief-struck relationships with his combustible father, prim and pious mother and 'mad' sister Rose, victim to one of the first lobotomies in America, became central themes in his drama. Similarly, Williams himself swung high and low in his single-minded pursuit of greatness. Williams created characters so large that they have become part of American folklore: Blanche, Stanley, Big Daddy, Brick, Amanda and Laura transcend their stories, haunting us with their fierce, flawed lives. Tracing Williams's turbulent moral and psychological shifts, acclaimed theatre critic John Lahr sheds new light on the man and his work, as well as the America his plays helped to define. Beloved by an American public, Tennessee Williams's work – blood hot and personal – pioneered, as Arthur Miller declared, 'a revolution' in American theatre. The Broadway premiere, which had been heading for disaster, closed to an astonishing twenty-four curtain calls and became an instant sell-out. Tennessee Williams, the show's thirty-four-year-old playwright, sat hunched in an aisle seat, looking, according to one paper, 'like a farm boy in his Sunday best'. A veteran of all aspects of the theatre, Lahr has contributed behind-the-scenes portraits, reviews, and Profiles, and has expanded the magazine's drama coverage beyond Broadway to include the work of international theatre and regional companies.

masterful' Sunday Times, Books of the Year On 31 March 1945, at The Playhouse Theatre on Forty-Eight Street the curtain rose on the opening night of The Glass Menagerie. John Lahr writes for The New Yorker, where he was for 21 years the Senior drama critic of the magazine. SHORTLISTED FOR THE 2014 NATIONAL BOOK AWARD FOR NONFICTION The definitive biography of America's most impassioned and lyrical twentieth-century playwright from acclaimed theatre critic John Lahr 'A masterpiece about a genius' Helen Mirren 'Riveting.

Tennessee williams by john lahr